Paul Barsch
Paul Barsch

BIOBCI Carrier ‘Lorenzo’ detached (lingering) 2017;
human dreadlocks

Pierre Clement
Pierre Clement

Ultra High Frequencies, 2015;
Satellite antennas, bamboo, feathers, vegetal moss, raffia

Michele Gabriele
Michele Gabriele

Whity-Trashy vol.3 (I stay if you hold me tight), 2016;
Car door, salad

Andrew Birk
Andrew Birk

CLOUDS, 2014;

Aerosol enamel on canvas

Nuno Patrício
Nuno Patrício

Small Embryo Inside Nostromo, 2016;
Oil on canvas, offset print on paper, metallic holder attached to the floor

Lucia Leuci
Lucia Leuci

Mamme cattive, bambini creoli (Bad mothers, creole kids), 2016;
Resin, synthetic hair, fabric, metal, embroidery floss, clay

Monia Ben Hamouda
Monia Ben Hamouda

Nur Xyderiv (Searching for wrong, so you can poin your stubborn finger at me again, at me again), 2016;
Video projection, 1.14’’, loop

Paul Barsch
Pierre Clement
Michele Gabriele
Andrew Birk
Nuno Patrício
Lucia Leuci
Monia Ben Hamouda
Paul Barsch

BIOBCI Carrier ‘Lorenzo’ detached (lingering) 2017;
human dreadlocks

Pierre Clement

Ultra High Frequencies, 2015;
Satellite antennas, bamboo, feathers, vegetal moss, raffia

Michele Gabriele

Whity-Trashy vol.3 (I stay if you hold me tight), 2016;
Car door, salad

Andrew Birk

CLOUDS, 2014;

Aerosol enamel on canvas

Nuno Patrício

Small Embryo Inside Nostromo, 2016;
Oil on canvas, offset print on paper, metallic holder attached to the floor

Lucia Leuci

Mamme cattive, bambini creoli (Bad mothers, creole kids), 2016;
Resin, synthetic hair, fabric, metal, embroidery floss, clay

Monia Ben Hamouda

Nur Xyderiv (Searching for wrong, so you can poin your stubborn finger at me again, at me again), 2016;
Video projection, 1.14’’, loop

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